March 29, 2013

Break: A marvelous word

Filed under: creativity,learning,musing — Candace Hackett Shively @ 12:19 pm

break:
verb. to smash, split, or divide into parts violently; reduce to pieces or fragments
noun. a brief rest, as from work [Break definitions from Dictionary.com]breakkey

 

Maker Dad tells of the strategies he and his son used in building a complex 3D printer, a task that spanned over 30 hours. I thoroughly enjoyed his account of persistence and challenge, tackled together with his 12 year old son. Why? Because he celebrates the importance of breaks. Breaks are time for incubation, refreshment, regeneration, reflection. Planned breaks are also times to savor the anticipation of returning to the successful portions. Breaks punctuate and act as expansion joints, flexing with the stresses of the task, while allowing it to fit together.

The marvelous irony/oxymoron of the word break is that it also means to smash, split, and essentially wreck things. Sometimes when we build something, we gain most from that kind of break: the moment when the Legos snap into pieces or the experiment doesn’t work.  Making things, even successful lessons or hands-on learning opportunities, requires that we savor the things that do not work, drawing from our failures to rise to better successes.

As we approach (or conclude) spring break, I hope that our breaks will be both opportunities to re-create  something new from broken pieces and opportunities to gain a brief rest, reflection, or incubation time for what is to come.

Spend some time looking at the definitions of break. It really is a marvelous word to hold so many contrasts in just five letters. Will your spring break make or break you?

March 22, 2013

Opening the lid: A tale of fleas and information literacy

Filed under: creativity,gifted,Teaching and Learning — Candace Hackett Shively @ 9:41 am

I saw a reference to this YouTube video about Training Fleas in a tweet, questioning the actual source of the information (thanks to Stephen Ransom, @ransomtech). The video itself bears no identifying information about the speaker.  Nor does the YouTube poster’s profile say much. There are no references to support the information presented as fact. It is not discussed on Snopes, either.jar

As a former teacher (and lifelong advocate) of gifted students, my antennae went up. Of course, I love the message of the video as an analogy about the plight of students held in a “jar.” That analogy has apparently been widely used among members of NAGC and  in various presentations on gifted. I also enjoy the irony that adults — even those who should be critical consumers — seem to accept this source.

My question: Could gifted kids (or any kids) do a better job of digging up the source(s) and validating or refuting the information? Unable to immediately toss the challenge to students of my own (since I no longer have any – sigh) , I emailed two colleagues who have gifted kids in class every day. (At least I could enjoy “watching” the results vicariously.)  The first round of results  from a HS group during a “club period” (with thanks and full credit to teacher PJ for sharing with me):

A great group of four kids who are incredibly creative thinkers, as well as being smart. They jumped in head first and had a great time with this, although in the 40 minutes they had to work on it, they didn’t find anything conclusive.

They researched:

Could fleas live in the jar for 3 days with no air and no food? What percentage of the fleas’ lifespan is 3 days, and how would spending those 3 days in the jar affect their ability to reproduce?

They looked critically at the video itself and wondered why they couldn’t see any flea eggs in the jar at the end? Or any dead fleas?

They did get distracted (as they often do) with trying to research whether fleas are subject to peer pressure, whether fleas have families or gender roles, and a number of other things…

It was great fun watching them churn through the possibilities and ideas for researching, but also very frustrating to watch how our District’s poor tech support (we could barely get the video to run because of buffering issues–and it’s only a minute long) and the fact that they kept bumping up against blocked websites.

So I share the lessons I learn as a teacher from PJ’s anecdotal observations:
  • A challenge based on “debunking” an issue of interest may be the best motivator for students to think critically and  collaborate to develop research strategies. It might be even better if it’s on YouTube?
  • Students can generate some really interesting questions very quickly.
  • Students do not look first for the “scholarly” issues, such as the credentials of the author, to support online information.
  • Students may get distracted, but the tangential questions they generate could be valid learning experiences in themselves.
  • Students will persist — at least for 40 minutes– despite the annoying roadblocks imposed by web filtering and bandwidth throttling (sigh).

What do I do next? I am thinking of pulling together some of the web sources that even we adults typically accept and offer them as fodder for students to debunk, thus building information literacy skills while possibly showing us, the “educator” adults, how gullible we are. Yes, loads of sites do this already, but I think mining YouTube could be especially fun.

Have any similar informational videos to nominate for student review/debunking? If you try this with your students. please post about it (and give me the link) or comment here to share!

March 1, 2013

The New Pencil

Filed under: about me,creativity,education — Candace Hackett Shively @ 1:28 pm

Pencils can do anything: draw, shade, outline, write words or paragraphs, erase, design, tap, point, invite, compose, ask, reply, annotate, doodle, poke, or be an improvisational flag pole for a make believe fort. Pencils can be whatever you want them to be and help you accomplish just about anything, even filling in those dreaded bubble sheets.

Yesterday I watched this video:

My conclusion: Computer code is the new pencil. Yes, there are lots of big names here and lots of money behind this video, but the video accomplishes what it sets out to do. It makes me WANT one of these pencils!

I rewind decades and wonder what might have happened if I had been exposed to the possibilities of computer code as a middle schooler or even in elementary school. I was good at math and logic. I was good at writing. I chose writing over math because there just didn’t seem to be any social interaction among the people in the math building or any creative way to use it. I joked that they were all covered with chalk dust. Besides, I like creating, writing, and making things out of all kinds of stuff. So I became a teacher.

Along comes this video that says code can do anything: create arts programs, solve problems, figure stuff out, communicate or entertain. In short, code would let me make things that pull together all the stuff that I love.

So why aren’t kids — including those with a passion for things verbal-linguistic, visual-spatial, or musical-rhythmic– flocking to learn code? If code is the new pencil, why don’t we have big, chunky starter pencils and finger-friendly pencil grippers to ease us into using this new pencil? Code.org is trying to get computer code into our schools, but are they going to do it with a well-produced video?

I hate to say it out loud (for fear of offending the exceptions), but few of the code-jockeys I know can talk and write are adept in the language of kids. They don’t make this pencil something that a mom or dad could pick up and help a five year old to grip. We don’t experience it in someone’s lap or during a story hour. Elementary school teachers don’t see code as part of essential learning. They probably never even thought about code as anything other than something their geekiest teen neighbor does. Code is hidden and scary. Teachers and parents, in turn, probably don’t suggest code as something kids might want to learn to have fun and be creative. Even the adventurous among us need pencil grippers. And no, an online code academy is not going to provide the kind of friendly experience that helps us hold and use this new pencil. Until we have face to face, human sharing the same way we share words and books, code will remain an enticing mystery at best.

Ladies and gentlemen of Codeland, sharpen your pencils.  You have a new tool for us to learn, and we need some human help.

 

 

 

December 28, 2012

Lost fiction: A different kind of flat world?

Filed under: creativity,cross-cultural understanding,deep thoughts,education,Teaching and Learning — Candace Hackett Shively @ 9:47 am

New York Times columnist Sara Mosle wrote an insightful column about the Common Core requirements that students read ever-increasing amounts of  “informational text” and far less fiction. I have been mulling this issue for months. Mosle’s arguments that reading expository texts and long form narrative nonfiction will build students’ writing skills are certainly valid. Students also will need basic informational text-writing (and reading) in the workplace. But my gut (and my undergraduate English major) nag at me on this giant swing, even as TeachersFirst published help for teachers (e.g. this article, and this one) on ways to integrate informational texts into all subject areas and improve students’ expertise at understanding and producing such works. I know many adults could stand to improve their writing skills. And I know that writing fiction — or “stories,” as most elementary kids would call them — may not develop skills in supporting a written argument. But I cannot go as far as Common Core does. There is too much that we learn from reading all varieties of texts.

When we read a poem…

  • We learn economy of language and how to listen ever so carefully
  • We learn to read with our senses, not just black and white text
  • We learn to pay attention to subtlety — a skill few adults have anymore (certainly not our politicians)
  • We learn to question and marvel at what lies beneath instead of what the media or a “spin master” tells us to believe

When we read a novel…

  • We learn to follow a life or a thread for a long time, past the end of the class period or the end of the day, noticing patterns and threads that might not even emerge until twenty chapters later. This is reading life. As adults, we eventually start to notice such threads in our own lives. We call it perspective.
  • We learn to read people. Given the frightening statistics on autism spectrum disorders, the more experience we can give kids with reading people, the better off our society will be. Given the need for voters to make choices about candidates whose  informational text “messages” all sound the same, we sometimes rely on reading people to make good choices. Employers read people every time they interview. Interpersonal intelligence makes a common society work. Fiction builds it. No, there is no dollar value on it, but there is serious loss without it.

To further flip my argument around, I wonder what would happen if kids never experienced fiction?

Movies would be our students’ only fiction. With special effects that are near-real, we risk losing the ability to imagine. School takes a large enough toll on creativity as it is. Erasing imagination frightens me. In a generation or so without fiction, we might have no more movies OR fiction. Just YouTube?!

We risk losing a sense of the world. In a global world where few of us will ever see distant people who make our shoes or invest in our government bonds, the importance of cultural detail (or “status detail” as fiction writers call it) is far more than simply a view of life from another place. As we read fiction or narrative nonfiction set in other places, we notice the diverse details that define what we value vs. what those in far off places value. We see how people spend time, fill their pockets,  eat, gather into households, prioritize their money, and interact with each other. Show me. Do not tell me. I need to notice it, to see and learn it. Fiction builds global understanding. Just as travelers notice cultural detail when we arrive in a foreign country, so do we experience it in fictional tales that take place there. When I write and rewrite this blog to craft cultural detail in my depictions of school, of China, of what I do, I am trying to draw you into understanding my ideas. Fiction writers spend months crafting such details– and do it much better than I. If our students never experience immersion in cultural detail, they may never notice, see, and learn global understanding.

I wish that Common Core requirements had dimensions for reading senses, subtlety, submerged messages, perspective, imagination, people, and cultural detail. In twenty years, we may find ourselves in a world that’s a different kind of flat.

November 30, 2012

Thankful Fridays 5: a dozen of fun

Filed under: about me,creativity,edtech — Candace Hackett Shively @ 2:07 pm

I poke through well over 100 web sites a week as part of my job with TeachersFirst, so it takes a lot to impress or excite me. I am grateful this final Friday of November for the discovery of Fun Favs. Here is a list of a dozen that have left impressions on me recently.  All have been or will be reviewed on TeachersFirst with loads of classroom ideas. Enjoy some creative play or lasting learning.

3D Photo Cube  What a great idea to make photos display interactively. I love the idea of sharing multi-faceted impressions of an event or person. Think of the pictures you could upload of just one person to show all aspects of his/her personality. It’s just plain visual fun.

LiveTyping  This one looks pretty dumb. Watch someone type as a “recording.” Now think about all the stories you could tell this way. Remember the Google searches during the Superbowl commercial a few years ago? Show what a character is thinking as he/she types a letter  or job application or creates a resume. Record Charlie Brown applying for a job as a football kicker. Record an imagined breakup email. Record an imagined memo being written by your most hated politician. Record a letter to the principal explaining why you had a live pig in your classroom (I once did!). Have fun!

Windmap I actually used  this one during Superstorm Sandy. Apparently a lot of other people did, too. It was quite sluggish. Make weather come to life far more than those static maps or “predictors” on your local TV forecast.  I wonder what other real-time viewers we could invent: see the paths of the grease smells wafting from fast food joints? No one has invented the smellavision, but I am sure there will be an app for that eventually.

Symphony of Science I love experiencing the arts in connection with academics. As an analogous thinker/connector, I always imagine concepts through analogies in visual or artistic form. I “see” poems and words as images. I even experience  numbers via a personal, visual number sense.  So why not experience science as music? This one intrigues me. I want to spend more time with it. Do you ever wonder whether your students personally experience concepts in some unusual way (and are afraid to talk about it for fear of being “weird”)?

Overlap Maps (Do you sense a visual theme here?) This one is simply cool. See maps as overlays so you can compare geographic spaces. I need to see a map when I travel, and I remember directions via the map in my head. But now I can compare places to give them context. How does my planned vacation location compare in size to my city? How does the setting of this novel compare to my childhood hometown? Make geography a toy.

Sodaplay  Yes, you play with straws. Create animated figures that move. Gotta love the web for mess-free “crafts” and animations. Wonderful time waster/creative challenge, depending on how you look at it. How could your students use it to explain something?

Phrasr  A word (or sentence) is worth a thousand pictures. Make words and sentences into a sequence of images. Poetry makes images out of a sequence of words, so Phrasr is another way to engage your visual-verbal mind.  Or simply make a creative sign for your door.

Spectra Visual Newsreader  Arrange your news visually. As a news junky, this one grabs me. My iPad is loaded with visual representations of news and feeds: Flipboard, apps from the networks, Newsstand. This one is online and customizable. I love the idea of hooking kids on current events through the visuals.

Infographics Archive  See the latest and greatest of infographics. Learn (and critique) as you browse this very popular medium. The more I see good and bad examples, the more I respect this way of communicating. I also come to fear it as teh Viewers Digest of information, showing stats and facts

YouTube Time Machine  See times past in the videos from that era. Get lost in the past, perhaps even waxing nostalgic for a favorite TV show from childhood. But you can also build a sense of a time past the same way Madmen rebuilds the sixties. Wouldn’t it be fun to show a few clips and challenge viewers to guess the year?

The final two are for my fellow political junkies:

AllSides As much as we all like to think our opinions are correct, we know there are others who do not agree. This tool lets you see issues from many points of view. Think of it as a 3D scanner for political thought. For those unable to make up their minds, this one is a politikaleidoscope.  During en election cycle — or the approach to the fiscal cliff, you can entertain yourself predicting the next set of soundbytes.

People’s Pie Speaking of the fiscal cliff, what would YOU do about it? Here is your chance to try to solve it without filibuster of news cycle bluster. Decide the priorities for the federal budget using this simulator. P.S. If you do, please sent tips to the folks in Washington.

This has been a grate(ful)  month. Thanks for letting me share it.

 

November 2, 2012

Thankful Fridays 1: Inspirations

Filed under: about me,creativity,teaching — Candace Hackett Shively @ 8:30 am

November has five Fridays this year. In the tradition of Thanksgiving, my weekly posts will share things for which I am thankful. I begin by sharing how grateful I am for inspiration sites. These five  thought-provokers offer visual and verbal sparks. If  my brain starves for the stimulation of a quirky question or a glorious graphic, I can inhale bracing breezes for the brain. I am grateful for:

1. Good. The name says it all. I click to find things tagged creativity or DIY or design, and I marvel at cleverness and surprise. I am thankful to see so many examples of people “doing different” as they “do Good.” They explain:

GOOD is learning, doing, improving–together

These are the people who– a few years ago– brought us the Wanderlust interactive reviewed here. Thank you for inspiring me to learn, wonder, and share.

2.  Places that put vastness of scale (and the meaninglessness of minutiae) into perspective: Scale of the Universe 2 (review and teaching ideas here) and Magnifying the Universe (review and teaching ideas here). I am especially thankful to be able to put stressors and annoyances into perspective  and to draw upon the vastness these interactive spaces provide. The very words space and  size melt into a chance to rise above or delve below whatever preoccupies me. I am thankful for the change of perspective.

3. The Art of Science (complete review here). This find from Princeton offers visual proof that science is art and art is science. I would never call myself a scientist, but I am fascinated by the visuals science offers (see #2). I am even more thankful that the scientists  who share images on this site are prove that not all scientists are about data,data, nothing but data. I am grateful for images about seeing and wondering.

4. 101 Questions (complete review here). OK, this one is a little odd, but it does get my creative juices flowing. There is nothing like a visual prompt to get ideas (or questions) moving. If the prompts are good, the questions move from factual and surface level to pretty deep stuff. I am grateful for questions.

5. Co.Create is even better than Good. Why? I keep finding more articles. Just when I am hooked by one title, there is another one. I find myself wishing I could read in two places at once. I honestly have not spent time figuring out who the writers are or where the content actually comes from, but there seems to be an endless stream of things to intrigue and inspire. I am thankful for their “You might also like.”

Why do these matter to a teacher/ website editor/ed tech person? Because I know I need a broader stream of inspiration than simply #edtech and #edchat on Twitter. This morning I ran across a quote from Steve Jobs:

Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things. And the reason they were able to do that was that they’ve had more experiences or they have thought more about their experiences than other people.

– Steve Jobs, Wired, February 1996

Doing my job well — being creative — means I need to continuously expand my repertoire of experiences, and this inspirational five offers endless avenues to creative questions, questions, and images.  I hope every teacher has sites like this and is thankful for the role they play in making you a Thinking Teacher.

Next week: Five things that keep me organized — and I am SO grateful!

October 25, 2012

Break something to make something

Filed under: creativity,edtech,gifted,learning,teaching — Candace Hackett Shively @ 10:51 am

What can I do to beat this, break this, or make people laugh?

When I taught gifted kids, their first approach when faced with a new technology tool, game, or toy was to beat it, break it, or make people laugh. I saw this reaction back in the day of early computer games we loaded from a 5 1/4 inch floppy disks. In the pre-PC days, my students — gifted or not –had the same reaction when faced with a special effects generator in the school’s black and white TV studio. (OK, now you can guess my age.) They wanted to make special effects that cut off heads or caused the TV monitors to go crazy.

Kids, especially middle school kids and older, will want to break, outsmart, or use any tech tool to make their friends laugh. We are missing a bet by not using this impulse to help them learn. There is a misconception, well debunked by Bill Ferriter, that technology itself is motivating. Ferriter is right. It isn’t motivating to ask kids to do what a tool is intended to do. It is motivating for kids to show their prowess in defeating it or molding it to their own purposes, preferably for an audience. The same social impulse makes them want to share on Facebook or YouTube. There may be some gender differences, but the stereotypes say what the boys break the girls will secretly redirect to their own purposes — giggling.

The makers movement challenges kids to MAKE things to fit a challenge. The gamification movement invites kids to create games to construct learning. I think we miss a bet by not asking kids to break things to meet a challenge. How can you use a tool of your choice to do something new and productive that it was NOT intended to do? What tool can you break to solve this unrelated problem? Give students the web full of  “tools,” and they will want to combine them or use them every way except as intended, especially middle and high schoolers. So let them.

Instead of  assigning kids tech tools to make a project using a specific tool, maybe we should simply allow them to break or “redirect” tools at will. The final rubric should certainly include curriculum accountability:  the result must show what they know about the prescribed curriculum. In the interest of teaching life skills and preserving our own jobs, we must include a requirement that the products have no more than a PG-13 rating (at least not in the version they submit for a grade). Share the rubric and any relevant acceptable use policy, but let students do it any way they want. Humor, even deviousness, can be a far greater motivator.  The teacher pleasers will ask for tools to be assigned, and that’s fine. The most able, most motivated,  and most creative will break something to make something. Isn’t that the innovation we want to build in our students?  The examples of “broken” or redirected  tools can serve to lure the timid into trying something a bit more adventurous themselves the next time.

One practical concern of this idea is that kids will take a long time to figure out the gimmicks and potential humor of the tools they choose. Let them do this on their own time. Schools have no walls, right?

Many years ago, I learned that comedy is far more difficult to write than drama. Parody, satire, and humor challenge the greatest minds. (I know how long it took to write a barely-adequate spoof of  “The Raven” last week!) If we can motivate kids to go above and beyond in their learning by following their impulse to break, trick, or make others laugh, we  have gone above and beyond our own curriculum. We have “mashed up” the student behaviors we can barely control with the curriculum we want students to master.  We have encouraged innovation. And we might even get a chance to laugh together.

October 5, 2012

Time for MacArthur Teaching “Genius” Fellowships

Filed under: creativity,teaching — Candace Hackett Shively @ 10:13 am

The annual announcement of the MacArthur Fellows this week generated the usual media blitz about a fresh batch of surprising, creative, and potentially influential people stashed in little-known pockets and corners. Dubbed, “genius” awards by the media, these grants recognize “individuals who show exceptional creativity in their work and the prospect for still more in the future” and offer generous funds so recipients can continue their work with the greatest freedom and  flexibility.

The process by which MacArthur Fellows  are nominated and selected, contrary to what the media, guidance counselors, and tiger parents may say,  proves that accomplishment and recognition can happen to those who do not actively campaign for it or plan a deliberate path to a perfect pinnacle. These people are creative because it is their passion and their life, not their career goal. MacArthur is remarkably successful in keeping both nominators and nominees completely confidential. The rotating pool of nominators assures a never ending stream of potential candidates from an ever expanding (U.S.) world of possibilities. As nominators come and go, the process nears perfection like a mathematical function approaching its asymptote. There are no winners or losers because no one even knows who is in the game. The fellows are unaware of scrutiny until recognized, and that is an important part of the process. These are people who are chosen because they are likely to spread and share the brilliance of their light. And light can come from any angle and in any color or wavelength. The pool is blindingly large, but somehow MacArthur finds a prism to separate out the light of these individuals. Will they find them all? Not likely, but they will continue the quest with a process that mimics the “genius” of the winners.

It is time for MacArthur Teaching Fellowships. Grassroots efforts to change teaching today proffer exemplary new ways for students to grow and learn in this era of education reform. Most programs must struggle for funding or meet bureaucratic requirements to gain recognition and  continue their success. These efforts are institutional, however, and they at least have a process to try. They may be magnet schools or charters or university pilot programs. Yet we miss the isolated light of an individual teacher who shares surprising, creative light in unexpected classroom corners or even outside school walls. He/She may not be the principal’s shining star, suitable to be nominated as “teacher of the year.” He/She does not self-advocate and may actually be a thorn in the side of colleagues, an “odd duck” or a manic and disorganized genius. This is the teacher whose unusual ways or odd approach “show[s] exceptional creativity… and the prospect for still more in the future.”  A single, intuitive “genius” of a teacher may have discovered something that could spread a new light, perhaps engaging would-be drop-outs or highly gifted social outcasts. Or maybe he/she is a middle school math teacher whose students make poetry of Pythagorus or an English teacher whose students sculpt sentences at the town hall.

How would we ever find them? The same way MacArthur finds Fellows. A rotating pool of nominators adds letters of nomination on an ongoing basis. The process is silent and secretive, but finds them. We know “genius” creative teachers are out there, and they may never receive a pat on the back any other way.  But we could learn so much from them. With the generous, flexible fellowship funds to pursue their passions, who knows how many students could benefit.

Forget the Hollywood “inspired teacher” movies. I want to be inspired by the genius teachers. They are perhaps the ones who never intended to teach — or who could never imagine doing anything else. It does not matter to me what kind of prep they had or what happy meteor landing put them among our children. They are the light  that Departments of Education cannot see, the infrared to our “professional” eyes.

It’s a thought, anyway. Anybody want to fund it?

August 31, 2012

Sourdough brain culture for our classrooms

Filed under: creativity,education,Teaching and Learning — Candace Hackett Shively @ 11:00 am

According to Daniel Coyle, talent is a myth.  Coyle recently synthesized results from years observing “centers of excellence” into a list of conditions that breed talent in “hotbeds” with

the combination of intensive practice and motivation that produces brain growth

Sounds like what we want our classrooms to be, right?

Although Coyle is focused largely on adult success and centers of excellence in sports or arts, his descriptions are very much what we hope our classrooms will be: places where our students maximize their potential. Coyle’s rules for adult success could work along the way for kids in a classroom, with some adaptation.

1. Staring: “fill your windshield with vivid images of your future self, and … stare at them every day.”

Encourage kids to develop the image and to keep it in front of themselves. Give them places to keep it: a journal where they can paste pictures, a locker wall, an electronic MePortfolio with a “dreaming of me” page. Have them stop to look at what makes an idol so special. What can he/she do that I want to do? Young ones have fleeting notions of what their future selves look like: fireman, snowman, roller coaster designer, cake boss… so maybe we need to ask what it is about that fleeting image that they like: Circle it. Write about it. Add more images of it. Keep refining the montage.

2. Stealing: “All improvement is about absorbing and applying new information, and the best source of information is top performers. So steal it….focus on specifics”

Kids call it copying, and they are very good at it. They watch how the pitcher spits, and they spit the same way. They listen to language at the bus stop, and …. But if we stare enough at the models from #1, we may come to notice things we’d like to copy. The trick is figuring out what to notice. That is where teachers can offer direction. We can help kids learn what to notice. We can talk as a class about what we observe, investigating which traits really matter. When they are young, kids need to develop the “eye” for what might be worth stealing. If you do one thing the same way Thomas Jefferson (or Copernicus or Shakespeare) did, what would it be? Show me.

3. Be stupid. (This is my favorite.) We rarely allow this. Humans spend a lot of time making fun of “stupid.” We post videos of it on YouTube and laugh at it on the playground. Coyle says talent hotbeds “encourage ‘productive mistakes’ by establishing rules that encourage people to take risks.” Guess we’ll have to toss out some of the testing culture. Darn.

I especially like this example: “once a week, make a decision at work that scares you.” How do we do this in class? Ask questions that have no answer. Put them on the test. Give credit for ANY attempt. Give students a weekly freebie to get credit for a WRONG answer backed by substantiated effort. Circling a guess one on multiple choice tests does not count. Even better: allow a one minute off the wall “be stupid” time for sharing what ifs and far fetched errors at the end of class.

The social dangers of being “stupid” at school can be avoided if systematically incorporated as part a creative teaching approach. David Markus notes that “Even Too-Cool-for-School Kids Can’t Resist” doing crazy, risky things if everyone can laugh about them together, such as in an arts-integrated math class.

5. Coyle’s observations about centers of excellence each warrant discussion, but I’ll skip to #5, his distinction between hard and soft skills, a place where most classrooms are seriously off target.

Hard, high-precision skills are actions that are performed as correctly and consistently as possible, every time.

Soft, high-flexibility skills, on the other hand, are those that have many paths to a good result, not just one. These skills aren’t about doing the same thing perfectly every time, but rather about being agile and interactive;

We do a pretty good job with hard skills. I will resist the urge to criticize our zealousness for careful delineation of the “right” way to do things.

Soft skills are all about process. In a test-driven world, we rarely have time to celebrate  or focus on these “soft” skills, yet they are vital to talent hotbeds. Coyle tells us that “hard skills and soft skills are different (literally, they use different structures of circuits in your brain), and thus are developed through different methods of deep practice.”  Our students need to routine, deep practice at looking for patterns, changing course, flipping to a different approach. No templates, no prescribed step by step method to recite and reuse. We so rarely ask questions where kids must experiment and analyze. Can you find one such question in your weekly lesson plans? How long will you let them suffer before you reveal the answer? Have you ever left a question unanswered yet scored it as part of a grade?  How many parent calls did you get?  To many people (including many teachers), open endedness is evil (see #3 above).


This is just four of Coyle’s eight observations, a recipe for the sourdough-starter-ish culture (pun intended) to grow talent.
We teachers often view classroom culture as something we cook up during week 1 of the year. Coyle’s recipe offers a richer, more appetizing promise,  “the combination of intensive practice and motivation that produces brain growth.” I’d certainly like to taste-test that culture.

 

August 23, 2012

The secret sauce of idea bins

Filed under: creativity,edtech,learning — Candace Hackett Shively @ 1:11 pm

Teachers make students put things away. If we did not, our classrooms would look like revenge of the two year olds. But how do we help students “put away”  and save valuable ideas that do not fit the format of the current assignment or discussion? We all need idea bins. I have written and spoken about idea bins as an important element in promoting creative process, but idea bins are also places to snag snippets of personal curricular connections. Idea bins hold many things.

I remember trying to find places to “put away” ideas that occurred to me during class. The teacher was talking or asking questions, and my mind wandered, often to intriguing thoughts or magnificent doodles.  I once snipped a particularly good doodle from the margins of a spiral notebook and actually framed it. Those wanderings were not necessarily bad. Many were my own personal connections to something in the discussion. Perhaps I simply loved the sound of a phrase or analogy shared by a peer or an oxymoron that stung me with its irony — a jalapeño in my mind’s eye. Sometimes the light coming through the window played on the classroom floor, creating a pattern I wanted to remember. Interestingly, every time I later saw that pattern, I also recalled the concurrent discussion. For me, visual snippets prompt memories like smells from a kitchen. Years later, I was told how to collect my visual ideas in artist notebooks required in various art classes, but I believe we each need to discover our preferred tool for idea bins.

I spent some time yesterday collecting idea bin options we could encourage kids to try as we start a new school year. Here are essential characteristics of an “idea bin” tool, arranged to create an easy acronym: the secret SAUCE for idea bins:

Semi-transparent: must allow you to share or show others ideas you are excited about (and keep other ideas to yourself)

Annotated: must let you make personal notes on items you collect

Ubiquitous: must be readily available where/when you need it (a real argument for bring your own device to class)

Cozy: must feel comfortable for you (fit your style)

Expansive: must allow endless additions and changes — without losing things

For some, an idea bin is a paper sketchbook, notebook, or journal. SAUCE score? S- yes; A- for sure; U- maybe not. These get lost easily! C- yes, for those who like the tactile feel of paper and pencil; E- not really. Linear and it runs out of room.

Here are a few digital idea bin possibilities in no particular order — all FREE for the versions I looked at — with SAUCE scores:

1. Evernote S-Yes, you can share notes and notebooks; A- for sure; U-yes, syncs from mobile app to computer and back in real time; C-OK, though I wish it were more drag n drop  and a little less “organized” into boxes/notebooks. E-Yes! Tagging helps. (Full TF review).

2. Linoit: S-share the full board by url, so maybe not so private unless you make separate boards for private stuff; A-Yes!; U-Yes, and it is iOS friendly. Play without joining, but sign up to save and share; C- yes, for me. Orderly folks might not like the drag and drop randomness; E- Yes, to the limits of the larger, draggable board. Can overlap stuff, too. Make additional boards and link them from your main one, maybe? (Full TF review). Here is a sample I used to prepare for a presentation on creative process.

3. Wallwisher: S-yes, but all or nothing. Make separate boards for private things; A-Yup; U-Yes, on the web and iOS friendly; C- yes, for those who like random, draggable elements. Certain backgrounds look more “organized;”  E- only as far as the board goes. Add more boards for more stuff. Here is a sample where you can play. (Full TF review).

4. Google docs/drive: S-yes, but all or nothing. Make separate docs for private things; A-yes, though primarily a word processing interface. U-Marginal. Yes on the web. Not sure how easy it is on smartphones. Must navigate to it by a long url or through GDrive log in and file management area. C- Not to me. E-yes. (Full TF review).

5. Pinterest: S- Yes, settings for each board; A-yes, comment on each “pin.” U- sort of — annoyingly connected to Facebook and less user friendly on mobile devices; C- Depends. Males tell me it is a female tool!  Very popular right now; E- YES! (Full TF review). Here is a sample board where I was simply playing.

Here are some TF reviews for others to consider. How would you score the SAUCE for each?
Edistorm
Wridea
Scribblar
Magnoto…though the embeds don’t work!
Canvasdropr
Scrumblr
Letspocket
Squareleaf
Corkboard
Protopage